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Estate Project for Artists with AIDS
Reviewed by Patrick Moore
HOPE FULL
Andy Abrahams Wilson's "Hope is the Thing With Feathers" is a
harrowing and hypnotic 28-minute documentary film focusing on
the poet and painter Beau Riley. Although the story of losing
a loved one to AIDS (in this case Riley's lover, David) has often
been told, it's rare that a film actually takes us within this
subject rather than simply reporting it. Ultimately, the film
is less a portrait of either man than of their extraordinary grace
in facing death.
The title comes from Emily Dickinson and the film is filled with
the comings and goings of birds. Spirits outside the window, having
come to take David away, appear as wrens. Like hope, these birds
abruptly fly off, but offer some fleeting consolation to the men
awaiting death. The film is also filled with quotations from poems
including Riley's "Via Dolorosa," written after his lover's death.
However, the most resonant line in the film was uttered by David
from his deathbed: "Am I the rose or part of the rose?" The film's
definitive answer is that we are the rose, that there is no separation
between us and that, if we are still, we can surely feel our connectedness.
Abrahams Wilson softens what might be an overly grim portrait
through sepia-toned, slow motion images of moving water, wind
blown trees and floating roses. Potential cliches, even shots
of open sky and sick men made whole again, are presented with
such dignity that there is little room for cynicism. Riley himself
is a fascinating character, alternately queeny and authoratative,
speaking in strange vocal patterns. He doesn't hold back when
interviewed and seems particularly honest about his alcoholism
and its impact on his relationship with David. His participation
in his lover's death, he explains, was an attempt to make amends.
Alternately crying and laughing, Riley says, "I was ecstatic with
duty--it was a spiritual experience."
Death is, of course, more complicated than that and Riley's poetry
reveals both acceptance and bitterness for a lover who is leaving:
"Some of us are less and less interested/some of us are spending
more and more time in another place," he wrote. To hear Riley's
line "..but he is going very fast now, his tiny body is a blur
within a roar" is to be reminded how many fine voices have been
lost to AIDS.
Interestingly, the film is nearly over before Riley addresses
his own mortality. "I'm dying now and I'm not cool with it," he
says. "But I don't act that way because of David." Through witnessing
and participating in his lover's death, Riley seems to have prepared
for his own. He died six months after David. As we see his own
ashes being spread in the final scene, Riley's voice brings the
film to a close, expressing gratitude for his good fortune at
having met a man whom he loved.
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